Natalie Rose Lebrecht Mandarava Rose cover

Review: Natalie Rose LeBrecht — “Mandarava Rose”

Natalie Rose Lebrecht is one of my absolute favorites. Her music has always been all over the place with her first album “Daymares and Nightdreams” playing around with lo-fi piano rants full of distress. “Warraw” — touching upon freak-folk incantations. “Imagining Weather” — pushing the freak-folk into more desolate areas,

All You Want to Know About Synthwave Part 2

All You Want to Know About Synthwave: Part 2

We continue talking with independent Synthwave musicians about essential elements of this genre. Here we talk about times and feelings. What is the difference between the present and, so-called, future-in-the-past? And it’s not about grammar. Find out an answer and a bit more in the second part of the big

RVSKCTRL: The Future Is Dark, but It Sounds Good

RVSKCTRL: The Future Is Dark, but It Sounds Good

Artists like nothing better than paint another gloomy picture of our dystopian future. But not all of them manage to do so with needed elegance and grace. Luckily, our today’s heroes and the winners of the Best Electronic Song of March 2019 Tournament — RVSKCTRL — are quite an exception.

Cover The Great Wave of Kanagawa

All You Want to Know About Synthwave: Part 1

Synthwave has become one of the fastest-growing genres of non-mainstream electronic music in recent years. I’ve been fascinated and delighted to watch the growth of the #synthfam community on Twitter as I’ve interviewed synthwave artists. I invited people from the #synthfam to respond to questions of what people are enjoying

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